University of Texas Press
Screening Stephen King: Adaptation and the Horror Genre in Film Television
the Claremont Run: Subverting Gender in X Men (World Comics and Graphic Nonfiction Series)
The Understructure of Writing for Film and Television
Black, Brown, & Beige: Surrealist Writings from Africa and the Diaspora (Surrealist Revolution Series)
Speaker Jim Wright: Power, Scandal, and the Birth of Modern Politics
Borges and His Fiction: A Guide to Mind Art (Texas Pan American Series)
Star Gods of the Maya: Astronomy in Art, Folklore, and Calendars (The...
Predatory Economies: the Sanema and Socialist State in Contemporary Amazonia (Joe R....
Family Ties: (Lacos De Familia) (Texas Pan American Series)
Who Got the Camera?: A History of Rap and Reality (American Music Series)
Blood Orchid: An Unnatural History of America
Maras: Gang Violence and Security in Central America
Serendipitous Translations: A Sourcebook on Sri Lanka in the Islamic Indian Ocean...
Labors of Fear: The Modern Horror Film Goes to Work
Restavec: From Haitian Slave Child to Middle Class American
Small headed Flycatcher. Seen Yesterday. He Didn’t Leave His Name.: and other stories
Mexico: Photographs by Mark Cohen
Substance and Seduction: Ingested Commodities in Early Modern Mesoamerica (The William &...
the Independent Republic of Arequipa: Making Regional Culture in Andes (Joe R....
Sculpting in Time: Reflections on the Cinema
Taking Form, Making Worlds: Cartonera Publishers in Latin America
the Art and Archaeology of Moche: An Ancient Andean Society Peruvian North Coast
Business Expert Press
the Illusion of Inclusion: Global Inclusion, Unconscious Bias, and Bottom Line (Human...
Betting the Farm on a Drought: Stories from Front Lines of Climate Change
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