Duke University Press
Rainforest Capitalism: Power and Masculinity in a Congolese Timber Concession
Travels in the Interior Districts of Africa
Nothing Happens: Chantal Akerman’s Hyperrealist Everyday
Visions of Beirut: The Urban Life Media Infrastructure
In the Meantime: Temporality and Cultural Politics
The Make Believe Space: Affective Geography in a Postwar Polity
For Emplacement: Political Ontology in Two Acts
The Argentina Reader: History, Culture, Politics (The Latin America Readers)
Experiments in Skin: Race and Beauty the Shadows of Vietnam
Oxford Street, Accra: City Life and the Itineraries of Transnationalism
Colonial Racial Capitalism
Sound: An Acoulogical Treatise
The Hauerwas Reader
Wet: On Painting, Feminism, and Art Culture (University Museum Symposium Series; 6)
Queer Cinema in the World
Museum Skepticism: A History of the Display Art in Public Galleries
Duke University Press Books
Songs of The Unsung: Musical and Social Journey Horace Tapscott
Ontological Terror: Blackness, Nihilism, and Emancipation
The Audible Past: Cultural Origins of Sound Reproduction
Keywords in Sound
Ugly Freedoms
Maturing Masculinities: Aging, Chronic Illness, and Viagra in Mexico
Somatic States: On Cartography, Geobodies, Bodily Integrity
the Birth of Energy: Fossil Fuels, Thermodynamics, and Politics Work (Elements)
Women, War, and the Making of Bangladesh: Remembering 1971
Dub: Finding Ceremony
Imagining Transgender: An Ethnography Of A Category
The Sports Issue (Transgender Studies Quarterly, 10 2)
Willful Subjects
What Does It Mean to Be Post Soviet?: Decolonial Art from the...
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