Duke University Press
the Breeze Behind
Wild Tongue: A Borderlands Mixtape
Violence and Memory: The Mulele Rebellion in Postcolonial Congo (Theory Forms)
The Upright Farmer: Racial Capitalism and Agricultural Modernization in Burkina Faso
The Du Boisian Challenge: Rethinking Sociological Methodology
Homeplaces: Dwelling and Habitability in Critical Times
Alfredo Jaar: Decolonial Time and the Aesthetics of Unfinished
Native Sons: West African Veterans and France In The Twentieth Century (Politics, History, Culture)
Code: From Information Theory to French (Sign, Storage, Transmission)
The Hypersexuality of Race: Performing Asian/American Women on Screen and Scene
Louis Horst: Musician in a Dancer’s World
The Technical Delusion: Electronics, Power, Insanity
the Impasse of Latin American Left (Radical Américas)
Theorizing Native Studies
Troubling Freedom: Antigua and the Aftermath of British Emancipation
Vanishing Women: Magic, Film, and Feminism
Rancière's Sentiments
Tomorrowing (Practices)
Gay Liberation after May '68 (Theory Q)
the Commodification of Childhood: Children’s Clothing Industry and Rise Child Consumer
Duke University Press Books
Hit Me, Fred: Recollections of a Sideman
Sapphic Slashers: Sex, Violence, and American Modernity
The Third Eye: Race, Cinema, and Ethnographic Spectacle
Cultures in Contact: World Migrations the Second Millennium (Comparative and International Working-Class History)
How Art Can Be Thought: A Handbook for Change
Body Problems: What Intersex Priest Sally Gross Teaches Us about Embodiment, Justice, and Belonging
The Promise of Happiness
A Primer for Teaching Indian Ocean World History: Ten Design Principles (The Readers)
Ontology of Production: Three Essays (Asia Pacific: Culture, Politics, and Society)
Lunch With a Bigot: the Writer in World
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