Univ Of Minnesota Press
Touch: Sensuous Theory And Multisensory Media
Through Amateur Eyes: Film and Photography in Nazi Germany
the Metabolist Imagination: Visions of City in Postwar Japanese Architecture and Science Fiction
Cosmopolitics I (Posthumanities)
Posthegemony: Political Theory and Latin America
Capital Times: Tales from the Conquest of Time: 6 (Theory Out Bounds)
Black Pulp: Genre Fiction in the Shadow of Jim Crow
Cash, Clothes, and Construction: Rethinking Value in Bolivia's Pluri economy (Diverse Economies Livable Worlds)
Language Machines: Cultural AI and the End of Remainder Humanism (Posthumanities)
Profit over Privacy: How Surveillance Advertising Conquered the Internet
Futures of The Sun: Struggle over Renewable Life (Forerunners: Ideas First)
Politics of Touch: Sense, Movement, Sovereignty
Digitize and Punish: Racial Criminalization in the Digital Age
Mechademia 4: War/Time: 04
Against Affective Formalism: Matisse, Bergson, Modernism
Anthropocene Poetics: Deep Time, Sacrifice Zones, and Extinction: 50 (Posthumanities)
Tsuchi: Earthy Materials in Contemporary Japanese Art
A Place In The Woods (A Fesler Lampert Minnesota Heritage Book)
Sovereigns, Quasi and Africans: Race Self Determination in International Law: 3 (Borderlines)
Estado Vegetal: Performance and Plant Thinking (Art After Nature)
Dorsality: Thinking Back through Technology and Politics: 5 (Posthumanities)
Cyberlibertarianism: The Right Wing Politics of Digital Technology
Gestures
Nothing At All (A Fesler Lampert Minnesota Heritage Book)
the Prison House of Circuit: Politics Control from Analog to Digital
Precarious Eating: Narrating Environmental Harm in the Global South
Hybrid Child: A Novel (Parallel Futures)
Ethnography At the Border: 13 (Cultural Studies of Americas)
I Think Am: Philip K. Dick
Neither God nor Master: Robert Bresson and Radical Politics
Back to top