Mackie 402VLZ4 4-Channel Compact Analog Mixer With Legendary Onyx Mic Preamps
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Mackie 402VLZ4 is a 4-channel small audio mixer that's big on sound, featuring two boutique-quality Mackie Onyx mic preamps that offer incredibly low noise, an ultra-wide 60 dB gain range and phantom power for condenser mics Connect to four high-headroom line inputs for keyboards, playback and other sources with +22 dBu line input handling, providing an extended frequency response and a remarkable 128.5 dB dynamic range With distortion under 0.0007% (20 Hz – 50 kHz) and improved RF rejection, Mackie 402VLZ4 is perfect for broadcast applications, live sound and recording Selectable Hi-Z instrument inputs on the first two channels allow you to connect guitars and basses, no DI box needed. Use the two-band EQ (80 Hz, 12 kHz) and 18 dB/oct 100 Hz low-cut filter on these mic/inst channels to dial in the perfect sound High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback. High-resolution 8-segment stereo meters make it easy to watch levels, even on dark stages and in cramped sound booths
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Mackie 402VLZ4 is a 4-channel small audio mixer that's big on sound, featuring two boutique-quality Mackie Onyx mic preamps that offer incredibly low noise, an ultra-wide 60 dB gain range and phantom power for condenser mics Connect to four high-headroom line inputs for keyboards, playback and other sources with +22 dBu line input handling, providing an extended frequency response and a remarkable 128.5 dB dynamic range With distortion under 0.0007% (20 Hz – 50 kHz) and improved RF rejection, Mackie 402VLZ4 is perfect for broadcast applications, live sound and recording Selectable Hi-Z instrument inputs on the first two channels allow you to connect guitars and basses, no DI box needed. Use the two-band EQ (80 Hz, 12 kHz) and 18 dB/oct 100 Hz low-cut filter on these mic/inst channels to dial in the perfect sound High-visibility, high-contrast controls deliver convenient “at-a-glance” visual feedback. High-resolution 8-segment stereo meters make it easy to watch levels, even on dark stages and in cramped sound booths