Tebeos Dolmen Editorial Grandes Temas Del Cine Negro Book Black . Even though we are aware that film noir is a genre that draws from German Expressionism and that, consequently, it is based on an eminently visual style, the coordinators of GRANDES TEMAS DEL CINE NEGRO are convinced that noir has a thematic range juicy enough to dedicate this essay to it.With this purpose, then, GRANDES TEMAS DEL CINE NEGRO has put all its effort into analyzing in detail and depth both the universal themes that refer to the human condition (violence, corruption, the figure of the femme fatale, the private detective...) and others related to the historical context that saw the birth of this genre in the USA (the Great Depression, the Cold War, the disenchantment with the American Dream...).We have done so, of course, with an open mind, paying more attention to the noir of the 40s and 50s, but without forgetting the gangster films of the 30s, the thriller, the French polar, the Italian poliziesco, the Japanese noir, the police films of the 60s and 70s, the mafia films, the spy films, the noir hybridized in other genres and, obviously, the neo-noir.Wherever there is a dark alley, wherever there is a sense of doom, wherever a crime is committed..., there will be GRANDES TEMAS DEL CINE NEGRO.The authors (in alphabetical order):Amat Ferris, Sintu. tradeinn Techinn
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