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Claude Simon: Fashioning the Past by Writing Present

the Author in Criticism: Italo Calvino’s Authorial Image Italy, United States, and...

David Fincher's Zodiac: Cinema of Investigation and (Mis)Interpretation (The Fairleigh Dickinson University...

Body of State: A Nation Divided (The Fairleigh Dickinson University Press Series...

The Dhimmi: Jews & Christians Under Islam

Yearbook of Transnational History: (2026), Volume 9

Eurabia: The Euro Arab Axis

Sacred Rhetoric: Discourses in Identity and Meaning (The Fairleigh Dickinson University Press...

The Universal Vampire: Origins and Evolution of a Legend

Speculative Poetry and the Modern Alliterative Revival: A Critical Anthology

Rumpole and His Rivals: Comic Legal Fiction (The Fairleigh Dickinson University Press...

At Work in the Early Modern English Theater: Valuing Labor

Coarseness in U.S. Public Communication (The Fairleigh Dickinson University Press Series Studies)

Yearbook of Transnational History: (2023): 6

Roger Waters and Pink Floyd: The Concept Albums (The Fairleigh Dickinson University...

Cinematography of Carl Theodor Dreyer: Performative Camerawork, Transgressing the Frame (The Fairleigh...

Why Do We Go to the Zoo?: Communication, Animals, and Cultural Historical...

Utopia and Dystopia in the Age of Trump: Images from Literature Visual Arts

T. S. Eliot and Christian Tradition

Thomas North's 1555 Travel Journal: From Italy to Shakespeare

Ideology in the Poetry of Sylvia Plath: From Manuscript to Published Poem

Evelyn Waugh’s Satire: Texts and Contexts

Europe, Globalization, and the Coming of Universal Caliphate

How Non-being Haunts Being: On Possibilities, Morality, and Death Acceptance (The Fairleigh...

Heterodox Shakespeare

Post Apartheid Gothic: White South African Writers and Space

Contemporary Italian Diversity in Critical and Fictional Narratives (The Fairleigh Dickinson University...

Close Reading without Readings: Essays on Shakespeare and Others

Yearbook of Transnational History: (2024), Volume 7

Light as Experience and Imagination from Medieval to Modern Times