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Marks She Made: The Art and Architecture of Begum Samru (Rethinking Art's Histories)

after affects images: Trauma and aesthetic transformation in the virtual feminist museum...

Performance Art and Revolution: Stuart Brisley’s Cuts in Time (Rethinking Art's Histories)

Feminist Substances: Plastics in Art of the 1960s and 1970s (Rethinking Art's Histories)

art + Archive: Understanding the archival turn in contemporary (Rethinking Art's Histories)

Beyond the Happening: Performance Art and Politics of Communication (Rethinking Art's Histories)

Bound together: Leather, sex, archives, and contemporary art (Rethinking Art's Histories)

“I am Jugoslovenka!: Feminist Performance Politics During and After Yugoslav Socialism (Rethinking Art's Histories)

Gender, artWork and the global imperative: A materialist feminist critique (Rethinking Art's Histories)

Colouring the Caribbean: Race and art of Agostino Brunias (Rethinking Art's Histories)

Art + Archive: Understanding the Archival Turn in Contemporary (Rethinking Art's Histories)

Migration into Art: Transcultural Identities and Art-Making in a Globalised World (Rethinking Art's Histories)

Flesh Cinema: The corporeal turn in American avant garde film (Rethinking Art's Histories)

Almost Nothing: Observations on Precarious Practices in Contemporary Art (Rethinking Art's Histories)

Transmodern: An Art History of Contact, 192060 (Rethinking Art's Histories)

Performative Monuments: The Rematerialisation of Public Art (Rethinking Art's Histories)

Glorious catastrophe: Jack Smith, performance and visual culture (Rethinking Art's Histories)

The Ecological Eye: Assembling an Ecocritical Art History (Rethinking Art's Histories)

Horizontal Together: Art, Dance, and Queer Embodiment in 1960s New York (Rethinking Art's Histories)