Wallflower Press
Italian Neorealism Rebuilding the Cinematic City
Sex and the Cinema (Film Media Studies)
The Undercut Reader: Critical Writings on Artists' Film and Video (Film Media Studies)
Introduction to Documentary Production: A Guide for Media Students
The Musical: Race, Gender and Performance (Short Cuts)
Cities In Transition: the Moving Image and Modern Metropolis (Film Media Studies)
the Cinema of Ken Loach: Art in Service People (Directors' Cuts)
The Blade Runner Experience Legacy of A Science Fiction Classic (Film and Media Studies)
The Cinema of David Lynch: American Dreams, Nightmare Visions
Film Performance from Achievement to Appreciation (Short Cuts S.)
Film Programming: Curating for Cinemas, Festivals, Archives (Short Cuts)
Flaming Creatures (Cultographies)
Production Design: Architects of the Screen (Short Cuts)
Haunted Images: Film, Ethics, Testimony, and the Holocaust (Film Media Studies)
James Bond Will Return: Critical Perspectives on the 007 Film Franchise
Vision on: Film, Television and the Arts in Britain (Nonfictions)
Science Fiction Cinema: From Outer Space to Cyberspace (Short Cuts)
Subversion: The Definitive History of Underground Cinema (Film and Media Studies)
Cinema's Missing Children (Film and Media Studies)
Dr. No: The First James Bond Film
The Cinema of Aki Kaurismaki: Contrarian Stories (Directors' Cuts)
Cinema in the Digital Age
The Cinema of Agnes Varda: Resistance and Eclecticism (Directors' Cuts)
The Cinema of John Carpenter: Technique Terror (Directors′ Cuts)
The Cinema of Wes Anderson: Bringing Nostalgia to Life (Directors' Cuts)
The Ultimate Stallone Reader: Sylvester as Star, Icon, Auteur
Widescreen: Watching Real People Elsewhere
Postmodernism and Film: Rethinking Hollywood's Aesthestics (Short Cuts)
Liquid Metal: The Science Fiction Film Reader (Film and Media Studies)
Faster, Pussycat! Kill! (Cultographies)
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